In this collection, I have portrayed faceless portraits. Portraits that have been obtained by monoprinting technique and under roller pressure. These portraits are often printed on the pages of an old calendar. The reason for this, apart from the quality of the paper and the technical issues, in a way indicates the bitter incident of every day of the pandemic. A time when fear and isolation have taken over the souls of people and the sign of this horror is visible in confused and destroyed faces.
